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Presentation Requirements | | | |
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♪ | The ballet entries — SOLO ▪ PAS DE DEUX ▪ PAS DE TROIS ▪ DUO ▪ | |
| | TRIO ▪ ENSEMBLE 1 ▪ ENSEMBLE 2 — to be presented as Video or DVD. | |
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♪ | ALL VIDEO AND DVD FORMATS ARE ACCEPTED! | |
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♪ | An individual is qualified to Register for one, for more, or for all the ballet categories: | |
| | SOLO ▪ PAS DE DEUX ▪ PAS DE TROIS ▪ DUO ▪ TRIO ▪ ENSEMBLE 1 ▪ ENSEMBLE 2 | |
| | Each ballet entry is to be Registered, separately, under the appropriate ballet category. | |
| | Each ballet entry will be evaluated, separately, on it’s own merit. | |
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♪ | An ENSEMBLE may Register for one, for several, or for any number of ballet entries. | |
| | Each ballet entry is to be Registered, separately. | |
| | Each ballet entry will be evaluated, separately, on it’s own merit. | |
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♪ | The description of some of the technical details is to be found on the | |
| | Presentation Requirements — Technical Details — page. | |
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SOLO Presentation Requirements | |
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| ♪ | Video or DVD Presentation of an Abbreviated Ballet Class of | |
| | 10—15 minutes or 15—20 minutes duration. | |
| | Portray the dancer in simple practice clothes. | |
| | An Abbreviated Ballet Class with a range of barre and center exercise | |
| | and, for girls, pointe work for conclusion. | |
| | Pointe work, as it is appropriate for her age and development. | |
| | It is up to the discretion of her ballet teacher. | |
| | The principle consideration is never quantitative. Less is more — | |
| | is an enduring principle of academic theatrical dancing — classical ballet. | |
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| ♪ | The Two Classical Variations maybe presented on the same Video or DVD — | |
| | following the Abbreviated Ballet Class. If the ballet teacher/ballet coach chooses, | |
| | the Two Classical Variations can be presented three times: | |
| | First, in simple practice clothes, in ballet studio or stage setting; | |
| | Second, in costume, in ballet studio or stage setting; | |
| | Third, in ballet performance. | |
| | The First and the Second are the requirements! The Third, is an option! | |
| | Please, make certain, that at all times, the full proportion of the dancer is seen. | |
| | * Please, Note: Dancers of the youngest age divisions, Junior 1 and Junior 2 | |
| | may perform the Variations On or Off Pointe. | |
| | It is up to the discretion of the ballet teacher/ballet coach. | |
| | The long term development and progress of the young dancer | |
| | is the principal consideration. | |
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PAS DE DEUX
Presentation Requirements | |
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| ♪ | It is encouraged for the PAS DE DEUX participants | |
| | to Register also for the SOLO Category — | |
| | so the jury will have the opportunity to learn of their individual qualities. | |
| | If the dancers and their ballet teacher/ballet coach choose, | |
| | the Classical Pas de Deux — Adagio and Coda — can be presented three times: | |
| | First, in simple practice clothes, in ballet studio or stage setting; | |
| | Second, in costumes, in ballet studio or stage setting; | |
| | Third, in ballet performance. | |
| | The First and the Second are the requirements. The Third is an option. | |
| | Please, make certain, that at all times, the full proportion of the dancers are seen. | |
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Требования к программе ПА-ДЕ-ДЕ | |
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| ♪ | The same rules apply to the PAS DE TROIS Category, | |
| | as they do to the PAS DE DEUX Category. Please, note the above description. | |
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DUO ▪ TRIO Presentation Requirements: | |
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♪ | The DUO ▪ TRIO Categories are attractive choices for | |
| | ballet directors, teachers and coaches. | |
| | The Classical Repertoire List includes the beloved ballets of centuries. | |
| | The various divertissements of ballets, | |
| | such as The Nutcracker, The Sleeping Beauty and Swan Lake are | |
| | rewarding for dancers to perform as well as for audiences to see. | |
| | It displays the young dancers’ inherent qualities, | |
| | and are effective vehicles in their progress. | |
| | If the ballet directors, teachers and coaches choose, | |
| | the Duo or the Trio can be presented three times: | |
| | First, in simple practice clothes, in ballet studio or stage setting; | |
| | Second, in costumes, in ballet studio or stage setting; | |
| | Third, in ballet performance. | |
| | The First and the Second are the requirements. The Third is an option. | |
| | Please, make certain, that at all times, the full proportion of the dancers are seen. | |
| | Please, note: One ideal choreographic vehicle for Junior 1 and Junior 2 ages is | |
| | the Vainonen Pas de Trois from Act II of The Nutcracker. | |
| | It is counted as a TRIO, because of it’s length. | |
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ENSEMBLE 1 ▪ ENSEMBLE 2 Presentation Requirements: | |
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♪ | One of the most attractive choices for ballet directors, teachers and coaches is, | |
| | to present their young dancers as an artistic entity, a ballet ensemble, a ballet company. | |
| | To share with the world the unique aesthetic atmosphere | |
| | of their ballet community, ballet school. | |
| | The greatest joy in ballet is to share the joy of dancing! | |
| | It is a power that the world cannot withstand! | |
| | Nothing in the world gives finer expression for this inspiration | |
| | then ballet’s classical repertoire. | |
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♪ | Your ballet ensemble can choose sections of the classical repertoire, | |
| | and present them to the world. | |
| | Choose the Snow Scene or the Waltz of the Flowers. | |
| | The Act II of The Nutcracker is sometimes described as the Festival of Joy! | |
| | Consider Swan Lake — any ensemble section. | |
| | Consider The Sleeping Beauty — any ensemble section. Consider Paquita. | |
| | The Range and the possibilities are wide. It is up to you! | |
| | ENSEMBLE Category offers great flexibilities! | |
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♪ | If you choose, each of your Ensemble entries can be presented three times: | |
| | First, in simple practice clothes, in ballet studio or stage setting; | |
| | Second, in costumes, in ballet studio or stage setting; | |
| | Third, in ballet performance — with or without production | |
| | The First and the Second are the requirements. The Third is an option. | |
| | Please, make certain, that at all times, the full proportion of the dancers are seen. | |
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